Subsequent to Day 1 over at Outspoken and Freckled, and Day 2 at Once Upon A Screen, I am presenting Day 3 of our annual tribute to the names below the title, those scene-stealing supporting players who add immeasurably to our favorite films.

First up, Gary Pratt takes a good look — literally — at Donald Pleasance, particularly as half of a beautiful friendship in The Great Escape in a guest post on Outspoken and Freckled.

Lesley at Second Sight Cinema looks at late-blooming Charles Coburn, who nonetheless became “as indispensable to the movies as he had been to the American stage for nearly four decades.”

Aurora at 蜂鸟ⅴpn安卓下载 profiles another late bloomer, the inimitable Majorie Main, whose “physical look, her mannerisms, dry wit, and that voice! all made a package that was not easy to forget.”

The Lady Eve shines the spotlight on Joyce Compton, declaring, “there’s more to [her] story than her turns as scatterbrained, Southern-fried blondes.”

Kellee at Outspoken & Freckled sheds some very deserved light on F蜂鸟加速器apks life and career.

To be continued with more character actors to come…

This post is part of the What A Character! 2023 Blogathon.

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Year after year, it’s an event we all look forward to. Wise-cracking Eve Arden, nurturing Louise Beavers, sassy Thelma Ritter, double-take pro Edward Everett Horton, tart-tongued Edna May Oliver, gravelly-voiced Eddie “Rochester” Anderson, fatherly Charles Coburn, frazzled Franklin Pangborn, bullfrog voiced, barrel-chested Eugene Pallette, cigar-chomping Ned Sparks… these and so many more lovable character actors are who we look forward to seeing as our dearest ole chums. Couldn’t we all use a trusted sidekick? All the details after the jump.

STX dropped the trailer for Guy Ritchie’s upcoming film, The Gentlemen, earlier today. It stars Matthew McConaughey, Henry Golding, Charlie Hunnam, and the almost unrecognizable Hugh Grant, who sounds as unlike himself as he can get. Seriously, I watched the trailer at least twice because I couldn’t believe it was him. This trailer represents a dollop of hope for those like myself who’ve been awaiting another RockNRolla, which I consider to be the apotheosis (so far) of the director’s patented crime/comedy hybrid. (RnR is now a shocking 11 years old, having been released in 2008.) The plot seems to be classic Ritchie (paraphrasing the synopsis): McConaughey is a pot kingpin who wants out. The others plot, scheme, bribe and blackmail in order to take over his piece of the action before he’s ready to leave. Will The Gentlemen measure up? We’ll all find out on January 24, 2023. Check out the trailer and pix below. PS: Looks like the film was formerly known as “Toff Guys,” which I prefer to the final title, but I understand that might not have translated on this side of the pond.

We made it. As I type this, the 91st Academy Awards ceremony is happening. The Academy has a lot of work to do before the 92nd. There are three four tasks that, if completed, would save this august organization and revive its beleaguered ceremony…all is revealed after the jump.

While this year’s Academy Awards ceremony is officially host-less, the 蜂鸟Ⅴpn加速器 has three! Kellee of Outspoken & Freckled, Aurora of Once Upon A Screen, and I, here at Paula’s Cinema Club have been celebrating the Oscars themselves and TCM”s tribute to same for the past seven years!

It’s almost a wrap on the third and final day, as I continue to collect the knowledge and opinions of our astute bloggers:

First up, Amanda at Old Hollywood Films focuses on Five Times the Academy Got It Right. Her picks include one of my favorites, George Sanders’ win for All About Eve; click for the rest.

Linda at Backstory: New Looks at Classic Films examines the life and career of “strikingly successful art director” ⅤPN软件排行.

蜂鸟ⅤPNapp analyzes Nat King Cole’s Best Song win for “Mona Lisa.”

Lê at Crítica Retrô reviews pre-sound films’ Oscar legacy in ios版vpn:2021-1-9 · transcreen官网 github搜索蜂鸟 iphone怎么上google ssr_ss_shadowsocks v p n 免费 闪飞网络加速vip破解版 openwingy安卓下载 广州联通加速器 网络伋理软件 俄国大神超级纳豆vip破解版 怎么上国外网站 免费twitter加速器 facebook破解版 架上梯子 ios.

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Check back throughout the day for additional 31 Days posts!

Kellee of Outspoken and Freckled presents Day 1 of 31 Days of Oscar here. Check it out!

Update

Day 1 posts are here.

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If you take a look back at the many Oscar moments in these past 90 years of Oscars ceremonies, you’ll find numerous surprises, disappointments and controversies, which continue to spark debate to this day. That’s where we come in. For the seventh consecutive year, I am once again joining forces with Aurora of 蜂鸟加速器 aka @CitizenScreen and Kellee of Outspoken and Freckled aka @IrishJayhawk66 to bring you the 31 Days of Oscar Blogathon. We hope you’ll consider joining us to make this the best and brightest Oscar blogging event yet.

As you may be aware, Greta Gerwig is filming her adaptation of Louisa May Alcott’s 1868 masterwork Little Women. This version is set to star Saoirse Ronan, Emma Watson, Timothée Chalamet, James Norton, Florence Pugh, Chris Cooper, and Meryl Streep, and is slated for a Christmas 2023 release.

“I could never love anyone as I love my sisters.” – Louisa May Alcott, @LittleWomen

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From left: Meg March, Greta Gerwig (director), Jo March, Amy March, Beth March and Laurie (Theodore Laurence). pic.twitter.com/0hngR0BJWX

— Emma Watson (@EmmaWatson) ⅤPN软件排行

In the last couple of years alone, there’s already been a TV miniseries and a feature film, and in my opinion, it will be difficult to improve on (the best) Gillian Armstrong’s 1994 version.

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No one was bratty like baby Kirsten Dunst.

Who breaks up this kind of chemistry? SMH

When I said stay home, I meant stay home.

This casting is so perfect.

Gerwig has been involved with this production for two years or more, having been consulted to rewrite a draft just as she was finishing up her own script for Lady Bird, and the producer of the ’94 installment, Robin Swicord, is convinced she can innovate. Word is, Gerwig’s take will concentrate on the March sisters’ adult lives — not so much as girls, more as young women. So possibly less Concord with Marmee, and more Europe with Aunt March for Amy and New York City for Jo, say. (No word on whether she’ll be able to make Amy any less of a selfish, vain brat.)

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Under the name A.M. Barnard, she wrote stories with somewhat opposite themes as ⅤPN软件排行. Gold-digging, revenge, adultery, murder, stealing, deception, betrayal, blackmail…you name it, A.M. put it in a story. This is stuff that would have given Professor Bhaer an attack of the vapors. Much like Jane Austen and the “horrid novels” she loved 70 years before, Alcott had a taste for less rarefied stories — and was able to make it pay. In 1862, she wrote in her journal, “Rewrote the last story, and sent it to L., who wants more than I can send him.” “Behind a Mask” is among the most interesting of this melodramatic oeuvre.

The story takes place in contemporary England and concerns a penniless governess who arrives at a great house and ingratiates herself with its inmates, the wealthy Coventry family, except for the oldest son and his cousin, who don’t trust her from the beginning. Only they can sense — spoiler alert: rightly so — that the demure young woman is nothing like what she seems.

When alone, Miss Muir’s conduct was decidedly peculiar. Her first act was to clench her hands and mutter between her teeth, with passionate force, “I’ll not fail again if there is power in a woman’s wit and will!” She stood a moment motionless, with an expression of almost fierce disdain on her face, then shook her clenched hand as if menacing some unseen enemy….Kneeling before the one small trunk, which held her worldly possessions, she opened it, drew out a flask, and mixed a glass of some ardent cordial, which she seemed to enjoy extremely as she sat on the carpet, musing, while her quick eyes examined every corner of the room….Still sitting on the floor she unbound and removed the long abundant braids from her head, wiped the pink from her face, took out several pearly teeth, and slipping off her dress appeared herself indeed, a haggard, worn, and moody woman of thirty at least. (11)

Soon enough, this unassuming yet devious personage puts the household in chaos, and brother is pitted against brother:

He looked at her with a despairing glance and stretched his hand toward her beseechingly. She seemed to figure a blow, for suddenly she clung to Gerald with a faint cry. The act, the look of fear, the protecting gesture Coventry involuntarily made, were too much for Edward, already excited by conflicting passions. In a paroxysm of blind wrath he caught up a large pruning knife left there by the gardener, and would have dealt his brother a fatal blow had he not warded it off with his arm. (34-35)

I’m not going to say much more about the story, other than it’s short enough to be effectively adapted as a feature film and twisty enough to keep people guessing until the last scene. It ought to be helmed by a woman, in any case, someone who can portray the 19th-century social/class differences without bogging the story down, as they are integral to the world Alcott writes about. Perhaps Gerwig, Sofia Coppola, or Gurinder Chadha (Bend it Like Beckham, Bride and Prejudice) would take it on.

Quotations from Behind A Mask: The Unknown Thrillers of Louisa May Alcott. Edited and with an introduction by Madeleine Stern. Harper Collins Perennial, 2004.

Little Women (1994) stills from ⅤPN软件排行